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	<title>Comments for The Back Row Manifesto</title>
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	<link>http://backrowmanifesto.com</link>
	<description>&#34;Make visible what, without you, might perhaps never have been seen...&#34;-- Robert Bresson</description>
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		<title>Comment on ZERO DARK THIRTY and Torture by Larry Gross</title>
		<link>http://backrowmanifesto.com/2012/12/19/zero-dark-thirty-and-torture/#comment-377</link>
		<dc:creator><![CDATA[Larry Gross]]></dc:creator>
		<pubDate>Thu, 20 Dec 2012 18:06:13 +0000</pubDate>
		<guid isPermaLink="false">http://backrowmanifesto.com/?p=640#comment-377</guid>
		<description><![CDATA[Absolutely superbly argued!  Thank you.]]></description>
		<content:encoded><![CDATA[<p>Absolutely superbly argued!  Thank you.</p>
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		<title>Comment on ZERO DARK THIRTY and Torture by Tom Hall Counters Factual Errors And Misrepresentations In Letter From Senators To Sony Regarding Zero Dark Thirty &#171; Movie City News</title>
		<link>http://backrowmanifesto.com/2012/12/19/zero-dark-thirty-and-torture/#comment-372</link>
		<dc:creator><![CDATA[Tom Hall Counters Factual Errors And Misrepresentations In Letter From Senators To Sony Regarding Zero Dark Thirty &#171; Movie City News]]></dc:creator>
		<pubDate>Thu, 20 Dec 2012 02:49:30 +0000</pubDate>
		<guid isPermaLink="false">http://backrowmanifesto.com/?p=640#comment-372</guid>
		<description><![CDATA[[...] &#8220;I would advise anyone who cannot separate the way information is revealed in a cinematic narrative from the political intentions of the filmmaker to avoid films like, oh, say, Salò because, well, that’s going to be uncomfortable for you.&#8221; Tom Hall Counters Factual Errors And Misrepresentations In Letter From Senators To Sony Regarding Ze... [...]]]></description>
		<content:encoded><![CDATA[<p>[...] &#8220;I would advise anyone who cannot separate the way information is revealed in a cinematic narrative from the political intentions of the filmmaker to avoid films like, oh, say, Salò because, well, that’s going to be uncomfortable for you.&#8221; Tom Hall Counters Factual Errors And Misrepresentations In Letter From Senators To Sony Regarding Ze&#8230; [...]</p>
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		<title>Comment on Things That Scare Me &#124; The BRM&#8217;s Top 12 Horror Films by Kristan</title>
		<link>http://backrowmanifesto.com/2012/10/14/things-that-scare-me-the-brms-top-12-horror-films/#comment-369</link>
		<dc:creator><![CDATA[Kristan]]></dc:creator>
		<pubDate>Thu, 15 Nov 2012 16:10:17 +0000</pubDate>
		<guid isPermaLink="false">http://backrowmanifesto.com/?p=616#comment-369</guid>
		<description><![CDATA[You can certainly see your enthusiasm in the paintings you write. The world hopes for even more passionate writers like you who aren&#039;t afraid to say how they believe. All the time go after your heart.]]></description>
		<content:encoded><![CDATA[<p>You can certainly see your enthusiasm in the paintings you write. The world hopes for even more passionate writers like you who aren&#8217;t afraid to say how they believe. All the time go after your heart.</p>
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		<title>Comment on The 2012 New York Film Festival &#124; Review: HOLY MOTORS by thomas leclair</title>
		<link>http://backrowmanifesto.com/2012/10/11/new-york-film-festival-review-holy-motors/#comment-366</link>
		<dc:creator><![CDATA[thomas leclair]]></dc:creator>
		<pubDate>Sun, 11 Nov 2012 17:27:56 +0000</pubDate>
		<guid isPermaLink="false">http://backrowmanifesto.com/?p=597#comment-366</guid>
		<description><![CDATA[Saw the movie last night without knowing much about it.  Your review is the most perceptive I&#039;ve read since.  I might go a bit beyond the director&#039;s position in the movie-making process to the narrative conventions of film that he has to work within--and the audience&#039;s expectations.  I thought of the movie with its many short takes as an evening of television but with the situations reversed or mocked.  The scene with the adolescent girl doesn&#039;t end, in after-school special fashion, with the parent and child reaching agreement but in the father&#039;s rage.  The model is not raped but turned into a &quot;virgin.&quot;  I started seeing the film this way when I recognized the James quotation.  Yes, that works in the novel, but it&#039;s also a 19th century convention, the deathbed scene.  In the movie, the characters walk away from it.  On to the next narrative, the next narrative convention.  I&#039;m sure the Samaritan scene mocks some French movie I&#039;m not aware of.  And how about the ending?  The lighting, the feeling, etc prepare us for a conventional family reunion (though the actor&#039;s home at the beginning seems to be a bldg. that resembles a cruise ship), but we get the bathetic comedy of the apes.]]></description>
		<content:encoded><![CDATA[<p>Saw the movie last night without knowing much about it.  Your review is the most perceptive I&#8217;ve read since.  I might go a bit beyond the director&#8217;s position in the movie-making process to the narrative conventions of film that he has to work within&#8211;and the audience&#8217;s expectations.  I thought of the movie with its many short takes as an evening of television but with the situations reversed or mocked.  The scene with the adolescent girl doesn&#8217;t end, in after-school special fashion, with the parent and child reaching agreement but in the father&#8217;s rage.  The model is not raped but turned into a &#8220;virgin.&#8221;  I started seeing the film this way when I recognized the James quotation.  Yes, that works in the novel, but it&#8217;s also a 19th century convention, the deathbed scene.  In the movie, the characters walk away from it.  On to the next narrative, the next narrative convention.  I&#8217;m sure the Samaritan scene mocks some French movie I&#8217;m not aware of.  And how about the ending?  The lighting, the feeling, etc prepare us for a conventional family reunion (though the actor&#8217;s home at the beginning seems to be a bldg. that resembles a cruise ship), but we get the bathetic comedy of the apes.</p>
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		<title>Comment on The 2012 New York Film Festival &#124; Portraits by releases</title>
		<link>http://backrowmanifesto.com/2012/10/15/the-2012-new-york-film-festival-portraits/#comment-332</link>
		<dc:creator><![CDATA[releases]]></dc:creator>
		<pubDate>Wed, 31 Oct 2012 02:39:58 +0000</pubDate>
		<guid isPermaLink="false">http://backrowmanifesto.com/?p=625#comment-332</guid>
		<description><![CDATA[Hence started the burgeoning of Indian Film industry and the growth of its caliber to continue doing so.]]></description>
		<content:encoded><![CDATA[<p>Hence started the burgeoning of Indian Film industry and the growth of its caliber to continue doing so.</p>
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		<title>Comment on Travel Dilemma by James McNally</title>
		<link>http://backrowmanifesto.com/2012/10/30/travel-dilemma/#comment-331</link>
		<dc:creator><![CDATA[James McNally]]></dc:creator>
		<pubDate>Tue, 30 Oct 2012 14:51:47 +0000</pubDate>
		<guid isPermaLink="false">http://backrowmanifesto.com/?p=633#comment-331</guid>
		<description><![CDATA[Crossing my fingers for you, Tom!]]></description>
		<content:encoded><![CDATA[<p>Crossing my fingers for you, Tom!</p>
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		<title>Comment on The 2011 New York Film Festival &#124; Portraits by The 2012 New York Film Festival &#124; Portraits – The Back Row Manifesto</title>
		<link>http://backrowmanifesto.com/2011/10/21/the-2011-new-york-film-festival-portraits/#comment-300</link>
		<dc:creator><![CDATA[The 2012 New York Film Festival &#124; Portraits – The Back Row Manifesto]]></dc:creator>
		<pubDate>Mon, 15 Oct 2012 21:27:54 +0000</pubDate>
		<guid isPermaLink="false">http://backrowmanifesto.com/?p=88#comment-300</guid>
		<description><![CDATA[[...] here is a look back at 2011&#8230;. Share this:TwitterFacebookEmailLike this:LikeBe the first to like this.  Filed Under: Festivals, [...]]]></description>
		<content:encoded><![CDATA[<p>[...] here is a look back at 2011&#8230;. Share this:TwitterFacebookEmailLike this:LikeBe the first to like this.  Filed Under: Festivals, [...]</p>
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		<title>Comment on Euro 2012 &#124; The Racist Problem by Euro 2012: Group Stage Analysis &#171; simplysports2</title>
		<link>http://backrowmanifesto.com/2012/06/07/euro-2012-the-problem-of-racism/#comment-192</link>
		<dc:creator><![CDATA[Euro 2012: Group Stage Analysis &#171; simplysports2]]></dc:creator>
		<pubDate>Tue, 03 Jul 2012 03:16:49 +0000</pubDate>
		<guid isPermaLink="false">http://backrowmanifesto.com/?p=393#comment-192</guid>
		<description><![CDATA[[...] propensity to fail miserably on the big stage. England has chief racist John Terry, something the racist home crowd will be able to get behind. France has a captain who uses teammates jerseys as toilet [...]]]></description>
		<content:encoded><![CDATA[<p>[...] propensity to fail miserably on the big stage. England has chief racist John Terry, something the racist home crowd will be able to get behind. France has a captain who uses teammates jerseys as toilet [...]</p>
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		<title>Comment on Euro 2012 &#124; Quarter-final Predictions by Euro 2012 &#124; Semifinal Predictions – The Back Row Manifesto</title>
		<link>http://backrowmanifesto.com/2012/06/21/euro-2012-quarter-final-predictions/#comment-165</link>
		<dc:creator><![CDATA[Euro 2012 &#124; Semifinal Predictions – The Back Row Manifesto]]></dc:creator>
		<pubDate>Wed, 27 Jun 2012 15:12:11 +0000</pubDate>
		<guid isPermaLink="false">http://backrowmanifesto.com/?p=544#comment-165</guid>
		<description><![CDATA[[...] going 4-4 in my Quarterfinal predictions, I am confident that I am due to get one of these wrong. But here we go anyway&#8230; my semifinal [...]]]></description>
		<content:encoded><![CDATA[<p>[...] going 4-4 in my Quarterfinal predictions, I am confident that I am due to get one of these wrong. But here we go anyway&#8230; my semifinal [...]</p>
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		<title>Comment on Euro 2012 &#124; Preview: Group A by – The Back Row Manifesto</title>
		<link>http://backrowmanifesto.com/2012/06/04/euro-2012-preview-group-a/#comment-126</link>
		<dc:creator><![CDATA[– The Back Row Manifesto]]></dc:creator>
		<pubDate>Wed, 13 Jun 2012 02:21:32 +0000</pubDate>
		<guid isPermaLink="false">http://backrowmanifesto.com/?p=330#comment-126</guid>
		<description><![CDATA[[...] But seriously, the Group is set up perfectly for drama on the final day; Russia need a draw or better to advance, the Poles will want to win against the Czech Republic, The Czechs will want to draw or win against Poland, and the Greeks need a win. All to play for, then. My call, as I said in the preview: [...]]]></description>
		<content:encoded><![CDATA[<p>[...] But seriously, the Group is set up perfectly for drama on the final day; Russia need a draw or better to advance, the Poles will want to win against the Czech Republic, The Czechs will want to draw or win against Poland, and the Greeks need a win. All to play for, then. My call, as I said in the preview: [...]</p>
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